It was republished in the author's book of his collection of poems called "Lei Pareng" in the year 1929.
The opening stanza of the poem remarkably implies that the idea of a literary tradition is embodied in the form of a temple that remains empty without a goddess for a very long time.
She is able to return to her temple due to western education, imitation, and feminization of language and literature.
[3] The poet emphasises original and the vernacular inspiration and poetic elements to construct the temple of Meitei Chanu, countering a common belief that the Meitei language is insufficient for literary expression.
[7] According to the author, the temple should be made up of flowers and its purpose should be to spread across the world and to bloom in the universities.