Metaltech are renowned for their theatrical performances and over the top behaviour, with band members donning masks, Kabuki style make up and eccentric costumes, all themed in neon orange, black and white.

Their stage show involves frequent audience interaction with items such as glo-sticks and party poppers[1] being thrown into the crowd, as well as the use of bubble guns, confetti cannons and fireworks.

After a few small gigs, the band was then offered a support slot with Alec Empire of Atari Teenage Riot that resulted in increased recognition.

The Skinny said Metaltech had; "an obvious knack for knocking out extremely danceable industrial, the kind of music that you couldn't stop your head rhythmically swaying to, even if you wanted, and then filling the gaps with abundant 80's style guitar lines: simple, uncomplicated, melodic".

[11] Brutal Resonance said; "can the masked trio make a studio product that captures the same energy, showmanship and white-hot skill they put into every gig they play?

Dark Essence Radio[12] in Australia played Metaltech's "Slice" on 25 March 2013 between Rammstein's Ich Will, and SITD's Beacon of Hope.

Throughout this tour they were shadowed by American photographer and film maker Allan Amato, who recorded the band as part of an upcoming feature about their journey through the music world.

[17] February 2015 saw them play at The Moorings in Aberdeen once again, followed by a slot supporting fellow Scottish industrial/EDM/rock band Je$us Loves Amerika's Falling Down EP launch and then a high-profile opening support slot for American stoner rock band Monster Magnet at the Garage in Glasgow, with Robert MacGregor (guitarist with Electric Mother) as a guest.

Metaltech has an acoustic alter-ego, Acoustech, comprising Erik Tyledisfunction, Laird Tarpaulin Combineharvester and Rory Spachemen.