Michael Winstone

[1] His early work encompassed a wide range of traditional materials completing commissions for rural and city spaces.

The sculptures examine the human body within the context of the family structure, its relationship with nature, in particular the anatomy of trees and their architecture.

Using various CAD programs, Lightwave 3D Modo 3D-Coat Zbrush, Simple fractal elements are displaced and repeated to create complex organic structures that have self-similarity in anatomic texture, body and construction.

The elements within the work grow in the same way human, animal, and plants tissues regenerate as substrates.

(White Willow Tree, Salix alba)" an eight-metre digital print cast in bronze for the Zaragoza Expo 2008.

41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba) Corner of, Calle Ranillas and Calle Luis de Zaragoza, Zaragoza, Spain 2008. Expo Zaragoza 2008. Digitally created, cast in Bronze. Height. 8 metres
51°28'11.0"N 0°12'53.0"W (Holm Oak, Quercus ilex) Fulham Palace, London, UK. 2015. Digital Sculpture. Bark data taken from 500-year-old Holm tree growing in the Fulham Palace Gardens, London, UK.