Michele Ciampanti

[2] In addition, works at the Metropolitan Museum of Art in New York, including the Cassoni of the Two Triumphs have been attributed to him.

Documents state Michele Ciampanti was made heir of the painter in 1463, and attribute his birth to prior to 1447.

The cassetoni of Stratonice and others depicting the Myth of Orpheus and Euridice and the Rape of Proserpine are attributed to a Florentine phase in the 1470s.

He is documented alongside Vincenzo Frediano (Master of the Immaculate Conception) as pricing a work for the Oratory of San Lorenzo.

His son, Ansano (Maestro di San Filippo) emerges in the late 1490s, and likely collaborated with him in some frescoes in the Baptistry of Lucca.