The people who take part in the festival are usually enlisted in local associations called filaes (singular filà) or comparsas (companies that represent the Christian or Moor legions).
Each side consists of various companies that carry out activities throughout the year, organizing spectacular parades during the days of the festival and spending a lot of gunpowder with firing salutes from the arquebus in dramatized battles.
The festival develops among shots of gunpowder, medieval music, and fireworks, and ends with the Christians winning a simulated battle around a castle.
Due to Spanish Empire expansion, the performing art has been adapted in other places in Europe, America, and Asia, as in the Philippines since the 17th century and is a popular street play throughout the country.
The modern "comparsas" or companies of Moors and Christians have their origin in the old Soldadesca, the local militia that carried out military acts of display or exhibition of the troops if required to pay tribute to some authority.
The historical element is added by taking advantage of these festivities for the representation and exhibition of Moors and Christians comedies, normally with a moralistic or religious didactic character.
It is from the beginning of the 19th century when the first texts of Las Embajadas (the Embassies) appear, which require the need for two sides facing each other for the conquest of a castle.
[4][5] Especially in northern and western Spain (Catalonia, Valencian Community, and other places), parades associated with Corpus Christi celebrations may feature gigantic costumed Moors and Christians, also commemorating the Reconquest.
[citation needed] Other noteworthy Moors and Christians festivals are celebrated in the towns of Bocairent (a Medieval town, 1–5 February), Banyeres de Mariola (22-25 April), Villena with approximately 12,000 participants (most crowded festival), Almoradí (early August), Biar, Cocentaina, Crevillent,[6] El Campello, Elche, Elda, Muro d'Alcoi, Oliva, Ontinyent (late August), Orihuela, Petrel, Sax, Novelda, Monforte del Cid, and some districts of the city of Alicante.
The street drama became popular in the rural areas due to the inputting of folk traditions in the play and the need of the people for leisure, especially after a hard day at labor.