Nocturnes, Op. 62 (Chopin)

The piece soon turns into declamation, led by a voice in the upper register, and after a rapid scale in the right hand, there is a quick reprise of the main theme.

The middle section, in the distant key of A♭ major, is marked sostenuto and legatissimo.

Though it begins softly, it can also be described as inhibited, showing unease, triggered by the play of syncopation of the left-hand chords.

Furthermore, the opening melody is embellished by continuous figuration including many trills, grace notes and runs.

In the anglophone world, the B major nocturne is named the ‘Tuberose’, an exotic greenhouse flower.

In their reprisal, these two melodic themes are accompanied by slightly differing harmonies with modified embellishment in the right hand.

[5] Critics maintain that the pieces display Chopin's late compositional style, which is characterized by masterful use of counterpoint and new explorations in harmony and musical structure.

Opening bars of Op. 62 No. 1 in B major.
Chopin, Nocturne in B major, Op. 62, No. 1
Secondary theme.
Rich embellishment in the return to the main theme.
Opening bars of Op. 62 No. 2 in E major.
Secondary melody in Op 62 No 2
Agitato third theme of Op 62 No 2
Page 4 of Nocturne, op.62/2 (autograph manuscript)