He most likely received his early training in Northern Greece and is thought to have later adapted Athenian stylistic elements into his own work, based upon his probable interaction with the Olympia workshop of Phidias.
"[2] Paeonius won the commission to decorate the acroteria of the Temple of Zeus at Olympia, as described in the pedestal inscription on his Nike statue.
The Nike Temple parapet at Athens is also often attributed to Paeonius, on the basis of similarities between the styles of drapery on both monuments.
Pausanias, a travel writer in the 2nd century AD, wrote, "But the Messenians themselves say that the offering is a trophy of the battle in which they fought on the Athenian side in the island of Sphacteria and that they refrained from inscribing the name of the enemy for fear of the Lacedaemonians (Spartans).
"[6] The placement of this dedicatory statue at Olympia, considered Spartan ground, is most often interpreted by scholars as a deliberate and assertive act of dominance.
By placing a well-known, generic image of triumph upon a pillar to symbolize a specific Victory, Paionios added to this tradition.