[1] The palace was remodelled after 1486 by a follower of Pietro Lombardo for the patrician Giovanni Dario, Secretary to the Venetian Senate, diplomat, and merchant.
[6] The English art critic John Ruskin was particularly entranced with and wrote about the palace's Gothic marble-encrusted oculi.
The corner treatments of the palace resemble those found in the Palazzo Priuli a San Severo.
[7] A large project of renovation was undertaken at the end of the 19th century, when the palace belonged to the Countess de la Baume-Pluvinel, a French aristocrat and writer under the name of "Laurent Evrard".
The Countess is responsible for the staircase, the external chimneys, the majolica stoves, and the fine carvings (vaguely reminiscent of the Scuola di San Rocco) in the dining room on the second piano nobile, looking down to the garden, as well as a great deal of stabilization and replacement of marble on the facade.