Paul Leduc Rosenzweig studied architecture and theatre, at the Universidad Nacional Autónoma de México; attended a French film school, Institut des hautes études cinématographiques (IDHEHC).

Daring the encounter with our originality-and with reality, the profound relationship with what happens to us and what entertains, afflicts or liberates us.”[4] Leduc was able to launch his career due to a unique situation.

The creation of the film was through a collaborative effort, the “script” was written by Roger Bartra, Mexico's top leading rural sociologist.

A Mexican critic, Jorge Ayala Blanco, described Reed as "raging against, incinerating, and annihilating the spider web that had been knitted over the once-living image of the revolution, while briefly illuminating the nocturnal ruins of our temporal and cultural distance from the men who participated in that upheaval.

Leduc breaks from traditional cinematographic styles, the absence of dialogue, to reduce the famous figures of history and culture such as Frida Kahlo to cartoons of themselves.

He uses the film to develop these characters in a way that allows them to remain at the lowest common denominator of the popular stereotypes fomented in mass culture.