Picture plane

In painting, photography, graphical perspective and descriptive geometry, a picture plane is an image plane located between the "eye point" (or oculus) and the object being viewed and is usually coextensive to the material surface of the work.

It is ordinarily a vertical plane perpendicular to the sightline to the object of interest.

In the technique of graphical perspective the picture plane has several features: The horizon frequently features vanishing points of lines appearing parallel in the foreground.

The orientation of the picture plane is always perpendicular of the axis that comes straight out of your eyes.

For example, if you are looking to a building that is in front of you and your eyesight is entirely horizontal then the picture plane is perpendicular to the ground and to the axis of your sight.

If you are looking up or down, then the picture plane remains perpendicular to your sight and it changes the 90 degrees angle compared to the ground.

Thus is obtained a new figure composed of straights and planes, all on M, and called an 'eject' of the original."

Thus is obtained a new figure composed of straights and points, all on μ, and called a 'cut' of the subject.

[2] A well-known phrase has accompanied many discussions of painting during the period of modernism.

[3] Coined by the influential art critic Clement Greenberg in his essay called "Modernist Painting", the phrase "integrity of the picture plane" has come to denote how the flat surface of the physical painting functions in older as opposed to more recent works.

That phrase is found in the following sentence in his essay: "The Old Masters had sensed that it was necessary to preserve what is called the integrity of the picture plane: that is, to signify the enduring presence of flatness underneath and above the most vivid illusion of three-dimensional space."