Samuel Bellin

He trained under the Huguenot James Basire the younger (1769–1822) before spending several years in Rome, where he came to know J. M. W. Turner, Frederick Catherwood and Bertel Thorvaldsen.

[1] While in Rome he made some excellent copies of celebrated pictures, and acquired great facility as a draughtsman.

His plates, which are all from pictures by popular English painters of the day, include 'The Meeting of the Council of the Anti-Corn Law League,' after J. R. Herbert; 'Heather Belles,' after John Phillip; 'The Council of War in the Crimea,' after Augustus Egg; 'The Gentle Warning,' after Frank Stone; 'The Heart's Resolve,' and 'The Momentous Question,' after Sarah Setchell; 'Milton composing "Samson Agonistes,"' after J. C. Horsley; 'Opening of the Great Exhibition of 1851,' after H. C. Selous; 'Salutation to the Aged Friars,' after C. L. Eastlake; 'Dr.

Johnson's Visit to Garrick,' after E. M. Ward; and portraits of Albert, Prince Consort, Lord John Russell, and the M.P.

Bellin drew and etched on three plates a panoramic view of Rome from Monte Pincio, which he published, with a dedication to Prince Augustus Frederick, Duke of Sussex, in 1835.