Sebastian Brant

[5] For five years he lived in the dorm of magister Hieronymus Berlin, [5] initially studying philosophy and then transferring to the school of law.

[7] Brant first attracted attention in humanistic circles by his Neo-Latin poetry but, realising that this gave him only a limited audience, he began translating his own work and the Latin poems of others into German, publishing them through the press of his friend Johann Bergmann von Olpe [de], from which appeared his best known German work, the satirical Das Narrenschiff (Ship of Fools, 1494), the popularity and influence of which were not limited to Germany.

[14] In 1503 he secured the influential position of chancellor (stadtschreiber)[13] and his engagement in public affairs prevented him from pursuing a literature career as before.

[15] Brant was a catholic, but he remained tolerant to the protestants, who were allowed to preach in the market square and publish books during his tenure as a chancellor.

A staunch proponent of German cultural nationalism, he believed that moral reform was necessary for the security of the Empire against the Ottoman threat.

[19] Alexander Barclay's Ship of Fools (1509) is a free imitation into early Tudor period English of the German poem, and a Latin version by Jakob Locher (1497)[20] was hardly less popular than the original.

In this work Cock Lorell, a notorious fraudulent tinker of the period, gathers round him a rascally collection of tradesmen and sets off to sail through England.

[21] Among Brant's many other works was his compilation of fables and other popular stories, published in 1501 under the title Aesopi Appologi sive Mythologi cum quibusdam Carminum et Fabularum additionibus, the beauty of whose production is still appreciated.

Though based on Heinrich Steinhöwel's 1476 edition of Aesop, the Latin prose was emended by Brant, who also added verse commentaries with his characteristic combination of wit and style.

The second part of the work is entirely new, consisting of riddles, additional fables culled from varied sources, and accounts of miracles and wonders of nature both from his own times and reaching back to antiquity.

Sebastian Brant by Albrecht Dürer
Woodcut from Das Narrenschiff