Prizament wrote for Gershom Bader's Der yidisher folks-kalendar and began writing songs and instrumental music for Yiddish theatre.
He is known as a transitional figure since he also wrote for the last of the broder-zingers - Salcia Weinberg, Jule Glantz, Helena Geshpas and Pepi Litman (1874–1930), characterized as "a Jewish chanteuse in Hasidic trousers", for whom he wrote Lomir beyde davenen fun eyn makhzer (Let’s Both Pray from One Prayer Book).
[2] In 1910 he was made director of the Ukrainska Besida Theater but soon left again to travel Galicia with wandering theater troupes, thence to Argentina where he wrote in Yidisher Soykher (Jewish Merchant) In 1912 he played as a comic and directed under Meltzer in Romania and worked with Zigmund Faynman in Gordin's repertory company.
[2] He was a soldier on the Italian and Russian fronts and arrived in Vienna in 1918 where he opened a Yiddish theater called "Bemishn Hof" - but after losing a permit to play he moved on to Budapest and joined the troupe "Shtramer, Rabinovitsh, Vayts, Sheyn" and played until Miklós Horthy's regime forbade Yiddish theater.
He met and married Gizi Hajdn, a singer and relative of violinist Oscar Zehngut, and worked in Galicia.