All these will be presented at the wedding ceremony to show her prowess with a needle and to prove that she is ready to take up her duties as wife, mother and homemaker.
Each caste has its own designs and motifs and favored color schemes particular array to such a degree that embroidery becomes a mark identification.
It is seen as the duty of the mother to pass on the embroidery styles of a particular community to her daughter unchanged through the generations to maintain this particular identity.
Other parts of Sind such as Thano Bula Khan area have very strong embroidery traditions linked to ostentatious marriage display, a custom of certain merchant castes.
Sindhi women make fantastic patterns of rich, brilliant colours gleaming with mirrors, shells and beads.
Several authors described the mirror embroideries of different regions of Sindh, which includes: Ghotki, Shikarpur, Jacobabad, Khairpur, Sukkur, Mirpur Mathelo, Thano Bula Khan, Thatta, Badin, Hyderabad, Hala, Nawabshah, Mirpurkhas, Sanghar, Kashmore and multiple regions of Thaparkar particularly Umarkot, Chachro, Diplo, Nagarparkar and Mithi.
Yacopino identified the Umarkot, Hyderabad, Sanghar and Kashmore, as some of the most important centres of mirror embroidery in Sindh.