[1] The album release party was held at Audio, in São Paulo, at a show with Argentinian band Onda Vaga.

[3] the album features lyrics with political and social commentary,[4] besides a more rock-oriented instrumentation compared to the folk of La Pachanga!.

However, in light of the right-wing moves, one can't be condescending, specially regarding the Impeachment.Vocalist and percussionist Juliana Strassacapa echoed such words in another interview.

What do we want to feel if, in a road, an oncoming truck hits us, we die... what do we have here?For the members, there has always been an intention by the band of expressing messages with a political view, but they still hadn't found a way nor a moment for it.

The majority of them is totally sung in Portuguese, except for "Como una Flor", "Primavera" and "Sincero", with Spanish-language sections.

[1] When asked about the reason to focus on the Portuguese language,Mateo explained:[2] Our biggest audience is in Brazil and I want to be understood.

[6] Some tracks deal with topics related to feminism, like the single "Calor da Rua", which talks about the domestic violence deep-rooted in society;[11][12] and "Triste, Louca ou Má", which questions the roles of women in society and features Salma Jô (Carne Doce), Helena Macedo, Larissa Baq and Renata Éssis.

[12] "Triste, Louca ou Má" was featured at the soundtrack of Rede Globo's telenovela O Outro Lado do Paraíso, being used as the ending theme for the second episode, in which protagonist Clara (Bianca Bin) is raped by her own husband Gael (Sérgio Guizé) in their first night as a married couple.

[15] "Bolso Nada", featuring Liniker e os Caramelows, criticizes congressman Jair Bolsonaro, without citing him explicitly.

[1] In a carnival marchinha rhythm, the track deals with the economical crisis Brazil was facing by the time of the album release[17] and the "devaluing of life next to the money valuing".