[3][1] It probably formed a diptych with the Madonna Enthroned between the Virtues (Wildenstein Collection, New York), attributed to the Master of the Sails [it].

The scene follows traditional iconography, with the experimental innovations of the Crucifixion in Scrovegni Chapel.

The cross of Christ occupies the center of the painting, on a uniform gold ground.

Grieving angels crowd around the figure of Christ, while below Mary Magdalene (wearing red) embraces the cross.

Christ is slender, almost reedy, and far from depictions of weight found in works like the Crocifisso di Santa Maria Novella [it].