Louis XIV

[1][a] An emblematic character of the Age of Absolutism in Europe,[3] Louis XIV's legacy is widely characterized by French colonial expansion, the conclusion of Eighty Years' War involving the Habsburgs, and his architectural bequest, marked by commissioned works of art and buildings.

He sought to eliminate the remnants of feudalism persisting in parts of France; by compelling many members of the nobility to reside at his lavish Palace of Versailles, he succeeded in pacifying the aristocracy, many of whom had participated in the Fronde rebellions during his minority.

Some of his other notable achievements include the construction of the Canal du Midi, the patronage of artists, and the founding of the French Academy of Sciences.Louis XIV was born on 5 September 1638 in the Château de Saint-Germain-en-Laye, to Louis XIII and Anne of Austria.

[19] Its terms ensured Dutch independence from Spain, awarded some autonomy to the various German princes of the Holy Roman Empire, and granted Sweden seats on the Imperial Diet and territories controlling the mouths of the Oder, Elbe, and Weser Rivers.

Buoyed by the victory of Louis, duc d'Enghien (later known as le Grand Condé) at the Battle of Lens, Mazarin, on Queen Anne's insistence, arrested certain members in a show of force.

[33] Capitalizing on the widespread public yearning for peace and order after decades of foreign and civil strife, the young king consolidated central political authority at the expense of the feudal aristocracy.

Reforms introduced by Louvois, the Secretary of War, helped maintain large field armies that could be mobilised much more quickly, allowing them to mount offensives in early spring before their opponents were ready.

Louis also sought Strasbourg, an important strategic crossing on the left bank of the Rhine and theretofore a Free Imperial City of the Holy Roman Empire, annexing it and other territories in 1681.

This, along with the prohibition of private armies, prevented them from passing time on their own estates and in their regional power bases, from which they historically waged local wars and plotted resistance to royal authority.

He judged that royal authority thrived more surely by filling high executive and administrative positions with these men because they could be more easily dismissed than nobles of ancient lineage and entrenched influence.

[77] In light of his foreign and domestic policies during the early 1680s, which were perceived as aggressive, Louis's actions, fostered by the succession crises of the late 1680s, created concern and alarm in much of Europe.

Before this happened, Louis expected William's expedition to England to absorb his energies and those of his allies, so he dispatched troops to the Rhineland after the expiry of his ultimatum to the German princes requiring confirmation of the Truce of Ratisbon and acceptance of his demands about the succession crises.

This military manoeuvre was also intended to protect his eastern provinces from Imperial invasion by depriving the enemy army of sustenance, thus explaining the preemptive scorched earth policy pursued in much of southwestern Germany (the "Devastation of the Palatinate").

[84] Although an attempt to restore James II failed at the Battle of the Boyne in 1690, France accumulated a string of victories from Flanders in the north, Germany in the east, and Italy and Spain in the south, to the high seas and the colonies.

Thus, his generosity to Spain with regard to Catalonia has been read as a concession to foster pro-French sentiment and may ultimately have induced King Charles II to name Louis's grandson Philip, Duke of Anjou, heir to the Spanish throne.

Though in some respects the Treaty of Ryswick may appear a diplomatic defeat for Louis since he failed to place client rulers in control of the Palatinate or the Electorate of Cologne, he did fulfil many of the aims laid down in his 1688 ultimatum.

The English and Dutch feared that a French or Austrian-born Spanish king would threaten the balance of power and thus preferred the Bavarian Prince Joseph Ferdinand, a grandson of Leopold I through his first wife Margaret Theresa of Spain (the younger daughter of Philip IV).

The clear demonstration of French military superiority for many decades before this time, the pro-French faction at the court of Spain, and even Pope Innocent XII convinced him that France was more likely to preserve his empire intact.

[101] As a result of the fresh British perspective on the European balance of power, Anglo-French talks began, culminating in the 1713 Peace of Utrecht between Louis, Philip V of Spain, Anne of Great Britain, and the Dutch Republic.

[citation needed] France retained Île-Saint-Jean and Île Royale, and Louis acquired a few minor European territories, such as the Principality of Orange and the Ubaye Valley, which covered transalpine passes into Italy.

Louis also patronised the visual arts by funding and commissioning artists such as Charles Le Brun, Pierre Mignard, Antoine Coysevox, and Hyacinthe Rigaud, whose works became famous throughout Europe.

Always on the lookout for new talent, the king launched music competitions: in 1683, Michel-Richard de Lalande thus became deputy master of the Royal Chapel, composing his Symphonies for the Soupers du Roy along with 77 large scale Grand Motets.

As a further example of his continued care for the capital, Louis constructed the Hôtel des Invalides, a military complex and home to this day for officers and soldiers rendered infirm either by injury or old age.

This portrayal of the monarch was to be found in numerous media of artistic expression, such as painting, sculpture, theatre, dance, music, and the almanacs that diffused royal propaganda to the population at large.

In the 1660s, Louis began to be shown as a Roman emperor, the god Apollo, or Alexander the Great, as can be seen in many works of Charles Le Brun, such as sculpture, paintings, and the decor of major monuments.

He had many ailments: for example, symptoms of diabetes, as confirmed in reports of suppurating periostitis in 1678, dental abscesses in 1696, along with recurring boils, fainting spells, gout, dizziness, hot flushes, and headaches.

On 18 November 1686, Louis underwent a painful operation for an anal fistula that was performed by the surgeon Charles Felix de Tassy, who prepared a specially shaped curved scalpel for the occasion.

Enduring much pain in his last days, he finally "yielded up his soul without any effort, like a candle going out", while reciting the psalm Deus, in adjutorium me festina (O Lord, make haste to help me).

[126] In 1848, at Nuneham House, a piece of Louis's mummified heart, taken from his tomb and kept in a silver locket by Lord Harcourt, Archbishop of York, was shown to the Dean of Westminster, William Buckland, who ate a part of it.

This line can be traced back more than 1,200 years from Robert of Hesbaye to the present day, through Kings of France & Navarre, Spain and Two-Sicilies, Dukes of Parma and Grand-Dukes of Luxembourg, Princes of Orléans and Emperors of Brazil.

Louis XIV as a young child, unknown painter
Baptismal certificate, 1638
Louis XIV, then Dauphin of France , in 1642, one year before his accession to the throne, by Philippe de Champaigne
Louis XIV in 1643, by Claude Deruet
Europe after the Peace of Westphalia in 1648
1655 portrait of Louis, the Victor of the Fronde, portrayed as the god Jupiter
Portrait by Justus van Egmont between the years 1649–1652.
Royal Monogram
Members of the Académie des sciences with Louis in 1667; in the background appears the new Paris Observatory .
Engraving of Louis XIV
Louis and his family portrayed as Roman gods in a 1670 painting by Jean Nocret . L to R: Louis's aunt, Henriette-Marie ; his brother, Philippe, duc d'Orléans ; the Duke's daughter, Marie Louise d'Orléans , and wife, Henriette-Anne Stuart ; the Queen-mother, Anne of Austria ; three daughters of Gaston d'Orléans ; Louis XIV; the Dauphin Louis ; Queen Marie-Thérèse ; la Grande Mademoiselle .
Louis XIV in 1670, engraved portrait by Robert Nanteuil
The future Philip V being introduced as King of Spain by his grandfather, Louis XIV
The Battle of Tolhuis , Louis XIV crosses the Lower Rhine at Lobith on 12 June 1672; Rijksmuseum Amsterdam
Louis XIV, 1670, by Claude Lefèbvre
The Persian embassy to Louis XIV sent by Soltan Hoseyn in 1715. Ambassade de Perse auprès de Louis XIV , studio of Antoine Coypel .
Siamese embassy of King Narai to Louis XIV in 1686, led by Kosa Pan . Engraving by Nicolas Larmessin.
Portrait of Louis XIV (gray pastel on paper by Charles Le Brun , 1667, Louvre Museum )
Louis receiving the Doge of Genoa at Versailles on 15 May 1685, following the Bombardment of Genoa . ( Reparation faite à Louis XIV par le Doge de Gênes. 15 mai 1685 by Claude Guy Halle , Versailles.)
Louis XIV
Louis XIV in 1685, the year he revoked the Edict of Nantes
Protestant peasants rebelled against the officially sanctioned dragonnades (conversions enforced by dragoons , labeled "missionaries in boots") that followed the Edict of Fontainebleau.
Louis in 1690
Louis XIV at the siege of Namur (1692)
Marshal de Luxembourg
Louis in 1701
The Franco-Spanish army led by the Duke of Berwick defeated decisively the Alliance forces of Portugal, England, and the Dutch Republic at the Battle of Almansa .
The Battle of Ramillies where the French fought the Dutch and British, 23 May 1706
Map of France after the death of Louis XIV
Wedding of Louis and Maria Theresa
Dual Cypher of King Louis XIV & Queen Marie Thérèse
Louis XIV encouraged Catholic missions through the creation of the Paris Foreign Missions Society
Painting from 1667 depicting Louis as patron of the fine arts
The Cour royale and the Cour de marbre at Versailles
Bust of Louis XIV by Gianlorenzo Bernini
Bronze bust of Louis XIV. Circa 1660, by an unknown artist. From Paris, France. The Victoria and Albert Museum , London.
Le roi gouverne par lui-même , modello for the central panel of the ceiling of the Hall of Mirrors c. 1680 by Le Brun , (1619–1690)
Louis XIV as Apollo in the Ballet Royal de la Nuit (1653)
Hall of Mirrors , Palace of Versailles
Louis XIV (seated) with his son le Grand Dauphin (to the left), his grandson Louis, Duke of Burgundy (to the right), his great-grandson Louis Duke of Anjou , and Madame de Ventadour , Anjou's governess, who commissioned this painting; busts of Henry IV and Louis XIII are in the background.
The Death of Louis XIV at the Palace of Versailles , Thomas Jones Barker , 1835-1840
Territorial expansion of France under Louis XIV (1643–1715) is depicted in orange.
Royal procession passing the Pont-Neuf under Louis XIV