All the main Venetian theatres were owned by important patrician families; combining business with pleasure in the Italian city with the most crowded and competitive theatrical culture.
When most opera in Europe was still being put on by courts, "economic prospects and a desire for exhibitionistic display", as well a decline in their traditional overseas trading, attracted the best Venetian families to invest in the theatre during the 17th century.
[3] The Vendramins, who had considerable direct involvement in the management of the theatre, had a sometimes uneasy relationship with him, arguing over money and the style of his plays, until he left for Paris in 1761, as a result of a dispute with his rival, Carlo Gozzi.
In 1875 during the celebrations of the birth of the playwright the theatre was renamed the Teatro Goldoni at the instigation of Angelo Moro Lin] with the backing Regina De Marchi widow of the Vendramin family.
The theatre is home to a prose season organized by the Teatro Stabile del Veneto "Carlo Goldoni", as well as children's theater, opera, concerts, ballets and other events.