Gaga described the tour as a traveling museum show incorporating artist Andy Warhol's pop-performance art concept.

The set list consisted of songs from her debut album, as well as an unreleased track called "Future Love".

Gaga's performance involved multiple costume changes, and included an innovative dress made entirely of plastic bubbles.

[2] Gaga stated, "I consider what I do to be more of an Andy Warhol concept: pop performance art, multimedia, fashion, technology, video, film.

[...] It's going to be as if you're walking into New York circa 1974: There's an art installation in the lobby, a DJ spinning your favorite records in the main room, and then the most haunting performance that you've ever seen on the stage.

The main show began with a video introduction called "The Heart" where Gaga appeared as alter-ego Candy Warhol.

Gaga appeared in the middle of the stage being surrounded by her dancers holding glass encrusted plates which camouflage them.

This leads to the end of the first part wherein a video introduction called "The Brain" starts with Gaga appearing again as Candy Warhol and brushing her hair.

[9] After the video ends, Gaga appears on the stage in a black and white leotard with high-pointed "puff" shoulders and lightning shaped symbols, while riding on a similarly colored vespa.

And then, thanks the audience and surprises them by performing an unreleased and new song called "Future Love" whose lyrics referenced far-off galaxies, mechanical hearts and constellations.

After the video ended, she then came on the stage wearing a tutu shaped dress with pointed shoulder pads and peplum.

Her dancers were clad in Louis Vuitton Steven Sprouse printed trousers which matched Gaga's shoes.

[12] The backdrop changed to show blinking disco lights and Gaga stood in the center wearing her video sunglasses which display the line "Pop Music Will Never Be Low Brow".

gave a positive review of the concert saying "Gaga's first theater tour is a hot ticket – and the Lady did not disappoint.

Borrowing from Madonna, Grace Jones, David Bowie and Daryl Hannah's Blade Runner replicant, Gaga put on a compelling show revolving around her mysterious persona, a trio of leather-jacketed dancers, multiple costume changes and props and a lone DJ providing musical accompaniment.

"[13] Christopher Muther from The Boston Globe reviewed the concert in House of Blues and said "The combination of song and spectacle was crowd-pleasing and exhilarating.

"[14] Lynn Saxberg from the Ottawa Citizen was also positive in her review, which she wrote after the concert at Bronson Centre in Ottawa and said, "Accompanied by a DJ who also played a funky electric guitar, the curvy dynamo (Gaga and Space Cowboy) fronted one of wildest spectacles ever mounted at Bronson Centre, an action-packed circus of sound, lights, video images, fog and choreography.

She also commented on Gaga's fashion sense and style in her costumes by saying, "In an hour, Gaga proved her star power by packing in all her hits, displaying influences that ranged from Motown to 80s pop, and exhibiting a fearless fashion sense in several costume changes, none of which covered her bum.

"[15] Whitney Pastorek of Entertainment Weekly gave a mixed review of the concert, saying, "Her onstage banter was at times a bit silly and the visuals occasionally lacking in coherent theme, but her voice was strong and refreshingly free of overbearing tracking vocals.

"[16] Mikel Wood from Rolling Stone also gave a positive review saying "The tongue-in-cheek tabloid-victim shtick that provides some laughs on The Fame grew somewhat tiresome at the Wiltern, especially when the singer started spewing half-baked media-studies nonsense like, 'Some say Lady Gaga is a lie'... Fortunately, this is a woman who knows how to lighten a mood: Within 10 minutes or so, she'd donned a flesh-colored leotard and a bedazzled admiral's cap and was rhyming 'boys in cars' with 'buy us drinks in bars'.

She might be a relative newcomer, but the artist born Stefani Joanne Germanotta commanded the stage with a royal air during her hourlong set, at times even sporting a glowing scepter.