Soren Baker of the Los Angeles Times called the album "a quality hip-hop collection with plenty of swagger, grit, sure-shot singles and a decidedly upbeat outlook.

"[6] A staff writer for HipHopDX praised the record for having a diverse roster of new artists and label alumni on "solid cuts" ("Can't Believe", "Let's Get It", "Bad Boy For Life") and "hidden gems" ("So Complete", "Blast Off"), but criticized P. Diddy's "lyrical flow and tempo" for being poorly showcased ("Lonely", "If You Want This Money").

[5] They highlighted G. Dep's "Child of the Ghetto" and 8Ball & MJG's "Roll with Me" as "regrettable displays" concluding that, "With the platform of platinum and pop success, The Saga Continues will be a surefire collection that has the following of P.Diddy's string of commercial hits.

He criticized "Diddy" for having "one of the weakest ever Neptunes beats", the overabundance of interludes throughout the album and questioned the sampling choices on "Can't Believe" and the title track.

"[11] The Guardian's Alexis Petridis criticized P. Diddy for still being "a terrible rapper, cursed with a stilted and flat delivery" that's overshadowed by his obscure label members' "shouty contributions" and for lacking the "self-pitying repugnance" from Forever, concluding that: "Puzzling over the album's confused morality and logic is more rewarding than actually listening to its familiar litany of misogyny and violence.