[1][2] He is considered an expressionist painter in the same category as his contemporaries Mihajlo Petrov, Ivan Radović, Petar Dobrović, and Jovan Bijelić.
Pomorišac was taken to a Moscow hospital where he soon recovered and spent the next year convalescing and at the same time familiarizing himself with the art treasures of the city and the works of great Russian painters.
As a non-combatant, he was transferred from Imperial Russia to Greece, where he received the status of a "war painter" at the Photographic section (Fotografska sekcija) of the Serbian Supreme Command (Vrhovna komanda) in Salonika[5] and worked in the Thessaloniki Atelier.
[7] There he spent time visiting museums, galleries and castles studying all kinds of aspects of arts and architecture but found England still under the influence of John Ruskin.
He attended lectures by artist Percy J. Delf Smith, sculptor George Frampton, and architect William Lethaby whose visions followed the modern European trends, including his own.
The Zograf (Painters) group was formed around this ideology and contained artists of the same or similar orientation - painters Stanislav Beložanski, Živorad Nastasijević, Zdravko Sekulić, Josin Car, Ilija Kolarović, Svetolik Lukić, Radmila Milojković, Zdravko Sekulić and architects Bogdan Nestorović and Branislav Kojić.
Of his many works of this kind, which he produced before Belgrade became a victim of Axis and Allied bombing in World War II, only pieces that remained are the stained glass in the Old Palace and the Metropol Hotel.