2014, 2015 - member of the jury of the International Composers Competition "Sacrarium" (Italy) A genre range of her compositions includes symphonic, choral, chamber music.

An important period in Victoria Polyova's creative work is related to intensive studies and embodiment of texts from divine services in the music.

Victoria Polyova's works are performed at the Beethovenfest Bonn (Germany), the Lockenhaus Chamber Music Festival (Austria), the Yuri Bashmet Festival in Minsk (Belarus), the Valery Gergiev Easter Festival in Moscow (Russia), Chamber Music Connects the World (Kronberg, Germany), the Dresdner Musikfestspiele, the Philharmonie Berlin, the Köln Philharmonie (Germany), the Theatre de Chatelet in Paris (France), the Rudolfinum-Dvorak Hall in Prague (Czech Republic), the Auditorio Nacional de España in Madrid (Spain), the George Weston Recital Hall in Toronto (Canada), the Yerba Buena Theater in San Francisco (United States), the Oriental Art Center in Shanghai (China), the Seoul Art Center (South Korea), the Esplanade Concert Hall in Singapore, and at festivals of new music in Ukraine, Sweden, Finland, Switzerland, Italy, Poland, United Arab Emirates, Peru and Chile.

In 2010, among such composers as Giya Kancheli, Valentin Silvestrov, Leonid Desyatnikov, Aleksander Raskatov, Alexander Wustin, Victor Kissine and Georgs Pelecis, Victoria Polyova has taken part in Gidon Kremer's international project «The Art of Instrumentation», devoted to Johann Sebastian Bach and Glenn Gould.

In 2011 Victoria Polyova was invited by Gidon Kremer as composer-in-residence at the XXX Lockenhaus Chamber Music Festival (Austria).