Vincenzo Cartari (c. 1531 – 1590) was a mythographer, secretary, and diplomat of the Italian Renaissance, studied by Jean Seznec and scholars of the Warburg Institute.
As the first Italian translator of Ovid's I Fasti, a Latin poem about the gods and religious beliefs of the ancient Romans, Cartari gained a deep knowledge of the classical world and its myths.
[3] Cartari also chose an unedited special focus on ekphrastic descriptions and visual iconography of the various gods, presented through a charming and informative gallery of identifying epiphanies, triumphs, clothing, expressions, poses, attributes, ceremonies, and legends.
Although inspired by the more traditional and vast works of Lilio Gregorio Giraldi (De deis gentium varia et multiplex historia, 1548), Giovanni Boccaccio (Genealogie Deorum Gentilium, second part of 14th century), and Classical literature and comments, Cartari invented a new, visual approach to antiquity.
In particular, his appendix Seconda Parte delle Imagini de gli Dei Indiani displays detailed illustrations of some archeological remains portraying Mexican, Egyptian, Indian and Japanese gods, seeking a sort of unique visual language in pre-Christian religions.