Waltharius is a Latin epic poem founded on German popular tradition relating the exploits of the Visigothic hero Walter of Aquitaine.
While its subject matter is taken from early medieval Germanic legend, the epic stands firmly in the Latin literary tradition in terms of its form and the stylistic devices used.
Ekkehard IV stated that he corrected the Latin of the poem, the Germanisms of which offended his patron Aribo, archbishop of Mainz.
The poem was probably based on epic songs now lost, so that if the author was still in his teens when he wrote it he must have possessed considerable and precocious powers.
[2] Waltharius was the son of Alphere, ruler of Aquitaine, which in the 5th century, when the legend developed, was the centre of the Visigothic kingdom of Toulouse.
[2] Hagano and Waltharius became brothers in arms, fighting at the head of Attila's armies, while Hiltgunt was put in charge of the queen's treasure.
Waltharius and Hiltgunt, who had been betrothed in childhood, also made good their escape during a drunken feast of the Huns, taking with them a great treasure.
Waltharius, mentioned as being armed in fine armor made by the legendary smith Wieland, engaged the Nibelungen knights one at a time, until all were slain but Hagano.
The fight between the forces of father and lover only ceased at sundown, to be renewed on the morrow, since each evening Hildr raised the dead by her incantations.
The songs sung by Hiltgunt in Waltharius during her night watches were probably incantations, a view strengthened by the fact that in a Polish version the glance of Helgunda is said to have inspired the combatants with new strength.
Holder (Stuttgart, 1874), Marion Dexter Learned (Baltimore, 1892, the entire corpus of texts concerning the Saga of Walther of Aquitaine), and Karl Strecker (Weimar, 1951).