White wine

Sweet wines, on the other hand, are produced by interrupting the fermentation before all the grape sugars are converted into alcohol; this is called Mutage or fortification.

Epigraphy tells us about the presence of wine in the Middle East: it was produced in the "High Country" (the mountain borders between Anatolia and Armenia) and then imported into Mesopotamia especially from the 3rd millennium BC.

[citation needed] Knowledge about the culture of grapevines was conserved by the Catholic Church: Wine was necessary for the celebration of Mass, and the monks planted vines at high latitudes and increased the monastic acreages.

[5] At the same time, the dry white wine popular with the Dutch was produced to the north, around the port of Nantes from the current areas of Muscadet AOC and Gros-plant AOVDQS in the Loire Valley.

Between 40 and 60 thousand barrels each of 500 litres left the Spanish coast annually for England and the Netherlands[b 8] (this volume of some 300,000 hectolitres represented two-thirds of today's production).

Its use in Sauternes was attested in 1836 in the Château La Tour Blanche but at that time very late harvest gave a very rich wine that required several years to age in barrels.

Historian Hugh Johnson[b 13] assigns an important diplomatic role to champagne: Talleyrand would have offered this wine at the negotiating table of the Congress of Vienna, using it to relax his partners in the discussions.

The feeling of freedom infused into the German winemakers under French occupation during the First Empire prevented the aristocracy and the clergy from recovering all the vineyards from which they were dispossessed.

In Spain, paradoxically, Castile-La Mancha accounts for 50% of the Spanish vineyards, producing mostly white wine on a very large production area in a high temperature zone.

This process separates them as it happens and uses them to measure the progress of the "vintage", the first and second tailles, and finally the rebêches of insufficient quality to be made into AOC wine.

In the case of a harvest with a very clear wort and low temperature the yeast works in a limited way and the addition of thiamine can help avoid a difficult end of fermentation.

The practice of shaking or stalking has the advantage of separating the stems from the cluster of grapes and avoids giving the wine an herbaceous taste at pressing.

Settling by flotation is a technique where the introduction of a gas at the bottom of the tank creates bubbles which cause the particles to rise to the surface where they are removed by a scraper.

The majority of aromatic components (acetates of alcohol and ethyl esters of fatty acids) are synthesized by the yeast during fermentation of light juice below 18 °C.

[47] In contrast some producers grow their vines organically or biodynamically: the lees are of good quality without synthetic chemicals harmful to yeast so they are kept in the wine.

During the fermentation of the grapes, varietal aromas are reduced in favour of an increase in roundness and volume in the mouth of the wine during ageing in oak barrels.

The use of inert gases such as carbon dioxide (CO2) isolates the grapes from oxygen from the air, and cold partially inhibits the action of oxidative enzymes in the must.

[56] This technique needs to be well controlled, however, otherwise the wine may take on a Goût de réduit (Reduced taste) due to the activity of reductase sulphite from the yeast.

The barrel has a dual role: it flavours the wine giving it a scent of toast, butter, and vanilla but it also helps to mature it by providing a very small regular quantity of oxygen through the wooden walls.

However, this solution not only acts on tartaric acid but also other compounds especially potassium which is responsible for the formation of insoluble bitartrate and also modifies the organoleptic qualities.

[63] Finally the study of the addition of cellulose gum or carboxymethylcellulose (CMC) conducted in recent years[64] led to its approval in 2009 (EC Regulation 606/2009[65]).

Some producers who sell their own products directly to the consumer, explain these natural phenomena to the customer who then serve the wine gently in order to prevent the crystals forming in the bottom of the bottle.

Over the ages, the flavones in the grapes were considered responsible for the yellow colour, but their very low dissolution in wine, due to short maceration, led to a search for other molecules.

This is the case especially in some white champagne wines partly made from black grapes and reminiscent of red fruit[74][75] (strawberry, raspberry,[76] blueberry,[77] gooseberry,[76] etc.).

[b 19] In California and Australia, the need to cool the grapes and wine during fermentation led winemakers to equip their cellars with adequate equipment: refrigeration units, circuits of pipes to carry the liquid refrigerant, and vats temperature-regulated by coils in the walls of the vessel or flag (a thin welded coil shaped like a flat plate with a high heat exchange capability).

Neutral white wines (Castilla-La Mancha, Italian Trebbiano) are well suited to sheep cheese and there are also Manchego and pecorino romano for a little spicy.

One munches them with salt on the sand with a basil branch and a glass of Brem iced white wine" - Pierre Desproges[102] Michel Onfray has written a book based on the Sauternes.

[104] I am Drunk, sung by Louis Byrec and written by Yvette Guilbert in 1895 gave the best part to knowledge of sparkling wines: "I come to the wedding of my sister Annette And, when the champagne is flowing, I could not hold you, I am tipsy, and I pinched my little tuft.

If bin before St. Martin J'mettrons the throat under the champ'lure" Closer to home Boris Vian celebrated "Muscadet in green glasses, a fresh wine, What cheers" in his song Mechanical Music.

[107] The sulphur dioxide additive commonly used in wine is not harmful in the amounts used but its effects are feared among asthmatics:[108] it can cause the onset of a crisis[109] (Difficulty breathing).

Torrontés wine tasting in Cafayate, Argentina
The photograph shows a sculpted rock: a bas-relief appears in grey-beige on a blue-gray rock stained with dark grey streaks. The Hittite king is on the left. He is bearded and holding a branch with two grapes. Facing him, the god has lost his head and his feet because of the ravages of time
The Hittite King Warpalawa offering a bunch of grapes to the god Tarhunta . A bas-relief in rock at Ivriz in Turkey from the beginning of the 1st millennium BC.
A medieval image (tacuino sanitatis)
White grapes in the late Middle Ages
Colour photo showing the reconstruction of the ancient port of Palos de la frontera: transportation barrels, low buildings bordered by a covered gallery, a chariot at the very edge of the water awaiting the arrival of a boat.
Reconstruction of the ancient port of Palos de la Frontera
Colour photo. Strongly embedded in the folds of a grassy valley, four small buildings in irregular stone masonry, with flat or sloped roofs, with barred doors, the entrance of the cellars are sunk into the ground. In the background the bushy land rises gently to the wooded hill which stands against a uniformly blue sky.
Cellars of Tokaj in Hungary, where the secrets of the process were kept
A leafy hillside in Champagne, overlooking a river in the distance.
Landscape of hills in Champagne
The steep slopes of the Moselle in German vineyards. In the foreground, there are leaves and tendrils of Vitis vinifera; green vines are planted on slopes, alternated with retaining walls and paths in a zig-zag pattern. In the valley, the Moselle flows under a bridge next to a village
Steep slopes of the Moselle in a German vineyard, Annaberg at Schweich
Photograph showing German vineyards on terraces. The vine has been able to conquer this northern area with a cold climate with terraced masonry vineyards; it is managed with high fences. On top of the hill, a house with a terrace overlooks the vines.
A German vineyard, one of the most northerly in the world
Terrain of Tokay. The vineyard is backed by a mountain, an ancient extinct volcano, giving a terrain of high quality for growing grapes.
Volcanic terrain of Tokaj
Three grains of black grapes. Two are tied together with a residue of the stalk, the third has been cut in half to show that the berry of the black grape with white juice has a colourless pulp.
Section of a grape berry with white juice and coloured skin
Photograph showing crystals of refined sucrose. A millimetre ruler down the picture shows the scale of the grains is between 0.5 and 1 millimetre.
Crystals of refined sucrose (sugar used in Chaptalization )
Diagram showing the structural formula of the form of an "L" of tartaric acid, the major organic acid in wine.
The 'L' shape of tartaric acid which is the main organic acid in wine
A harvesting machine that empties its harvest in the yellow bucket into an orange trailer hitched to a tractor. It is white grapes flowing from one of the buckets. The grass around the vines is high and yellowed by drought but the vines are still green, although showing some yellowing, a sign of change from summer to autumn.
The harvest from the harvesting machine is emptied into a trailer.
A harvester at work in Champagne. This operator places rows of plastic crates full of white grapes on the trailer of a tractor. The golden hues of ripe grapes can be seen. In the background, a wire frame supports the foliage of the vine.
Manual harvest in Champagne
An Italian winemaker emptying perforated crates of white grapes into a de-stemmer. The berries are evacuated to the press and stalks fall to the front in a crate. In the background are stainless steel tanks used for fermentation.
A small shaker for de-stemming
Colour photo showing a battery of five screw presses in a cooperative. Above, an endless stainless steel screw used to bring the harvest in the press. The selection of each unit is done by means of an automatic door. The winery is very clean: white walls, machines and media access in painted steel and concrete floor gallery and coated with a washable paint.
Battery of wine presses
Colour photo showing stainless steel fermentation tanks in the UK. The tanks are located on both sides of an aisle at the bottom of which oak barrels for aging, stacked on a bracket against the wall can be seen. The floor is painted and pitched to a drainage channel in the middle of the winery.
Fermentation in stainless steel tanks in the UK
Colour photo showing an aging cellar for Sauternes (sweet white wine). The barrels are aligned in three rows against the walls and they are stacked on two levels with a row in the middle one barrel high. The light coloured barrels are newer barrels. The floor is tiled, the walls are stone, covered in grey mould, and the ceiling is white supported by dark coloured beams. The wall lighting is reminiscent of medieval torches.
A Wine warehouse aging sweet white wine ( Sauternes )
A barrel with a glass bottom revealing the layer of yeast on the surface under which the yellow wine is ageing. This yeast is in the form of an irregular white layer – it forms small stalactites that sink a few millimetres into the wine which is already dark yellow wine. The wall in the background is grey, probably coated in grey mould.
Aging vin jaune under a layer of yeast
Colour photo showing the deposit of lees in barrel through a transparent bottom. Lees looks like a layer of mud a few millimetres thick of a creamy white colour. The light that passes through the wine is still cloudy suggesting that light should be placed against another background. The barrel rests on metal industrial shelving.
Deposit of lees at the bottom of a barrel
Mussels and white wine