[4] She tries to use art as a way for her to express and shed perspective on these various destinations because she believes that the architecture she sees around the streets of Hong Kong reveals stories about the people who lived there.
Through artistic fabrications, by only setting up two lights and flaw angles,[5] she attempts to reinvent and retell these stories as well as her own subjective narrative of her experiences during her exploration at the site.
Wong becomes interested in the missing images after one of her friends told her that she remembers seeing a family photo taken back in the 1930s but had been lost.
At the Woman Wanted exhibition at the Hong Kong Heritage Museum, she display the photograph reconstructed by her in a way that she recruits her friends to simulate the original in the 1930s.
Her work uses light, coming in through different forms and materials and with space and non-space to symbolise transitions from the known to the unknown, especially for the photography taken during her travel journey.