Remarkable as well are the abstract floral patterns that cover all the interior walls outside the frescos as well as the gilded pulpit.
Using 19th-century building materials and techniques it was possible to create much larger windows, compared to monuments from the original Romanesque period.
Gothic elements can be found in the pointed arches of altar and pulpit, nevertheless, they form a harmonious whole with the entire building.
Immediately above the altar, the Holy Trinity is depicted, surrounded by the Virgin Mary, the prophets of the Old Testament, the four evangelists, and the community of the faithful.
The artist managed to arrange a noteworthy interaction of natural light and his painting in the left side of the choir, depicting Jesus' entrance into Jerusalem on Palm Sunday.