A music video was released alongside the single, featuring paintings of Wood animated with a program called EBsynth.

Its instrumentation builds throughout, climaxing during the final chorus with Addison Herron-Wheeler of New Noise Magazine describing it as "Wood's vocal performance tak[ing] on an anguished energy".

Throughout the song, Wood and the figure are depicted in various actions and poses with paintings overlaying them as a filter-esque animation.

During the bridge, Wood offers a game controller to the figure, which results in the two interacting together for the rest of the song.

The latter used EBsynth to apply the handmade paintings to live action footage of Wood, making it appear animated.