When we see a woman bartering beauty for gold, we look upon such a one as no other than a common prostitute; but she who rewards the passion of some worthy youth with it, gains at the same time our approbation and esteem.
Food peddlers advertise their wares as healthy without offering solid evidence to back up their claims, leading those who trust them to succumb to an unhealthy diet.
The philosophy taught in the universities, Schopenhauer claims, is really no more than a superficial rationalization for the institutionalized religion, the intentions of the government, and the prevailing views of the times.
The true clerc is Vauvenargues, Lamarck, Fresnel, Spinoza, Schiller, Baudelaire, César Franck, who were never diverted from single-hearted adoration of the beautiful and the divine by the necessity of earning their daily bread.
[7]Jacoby laments the demise of the radical critical theory of the previous generation, which sought to understand and articulate the contradictions inherent in bourgeois and liberal democratic ideologies.
The new generation of theories, in contrast, seek to allow the contradictory elements of the ideology to coexist by isolating them, assigning them to separate departments in the university.
[9] Literature professor Edward Said, in his 1983 book The World, the Text, and the Critic, accuses literary theorists of his generation of succumbing to the free-market ideology of the Reagan era.
The generation of critical theorists influential in the 1980s, however, began to betray these ideals, and timorously succumbed to the prevailing societal ethic of specialization and professionalism.
The traditional university, the hegemony of determinism and positivism, the reification of ideological bourgeois "humanism," the rigid barriers between academic specialties: it was powerful responses to all these that linked together such influential progenitors of today's literary theorist as Saussure, Lukács, Bataille, Lévi-Strauss, Freud, Nietzsche, and Marx.
Theory proposed itself as a synthesis overriding the petty fiefdoms within the world of intellectual production, and it was manifestly to be hoped as a result that all the domains of human activity could be seen, and lived, as a unity.
[10]Writing in 1991, "dissident feminist" scholar Camille Paglia finds in David Halperin's work a prototypical example of rampant careerism in the humanities.
Paglia observes that Halperin's generation of academics is prone to a "contemporary parochialism" that eagerly cites hot-off-the-press articles without attempting to critically assess their objective merit in light of the intellectual tradition.
The self-seeking of the latest generation of scholars is, for Paglia, symptomatic of an era iconically represented by junk bond traders on Wall Street, concerned not with creating a quality product, but only with making a quick buck.
as an example, calling it "one of the great junk bonds of the fast-track academic era, whose unbridled greed for fame and power was intimately in sync with parallel developments on Wall Street".