Political themes, the precise and elaborate anatomical form, the combination of human and animal limbs, and the deformation of the body are all seen in his paintings.
[1] His father, Ainollah Khan, was one of Reza Shah's comrades on the Western Front and one of Abdol-Hossein Farman Farma's war assistants during the Qajar dynasty, as well as the head of telephone distribution at the Ministry of Post and telegraphs.
In Pars Art Organization, he gained experience working with artists such as Mohammad Ali Zavieh, Mohammad Tajvidi, Buick Ahmari, Ali Akbar Sadeghi, Morteza Momayez and became familiar with various styles and techniques of painting, graphics, clichés, engraving, printing, film and zinc separation.
[5] He won a six-year French scholarship and 50,000 tomans (About $71,000 in those days) in cash from the Pahlavi government at the first Tehran International Fair before the revolution, but did not accept it.
[1][7] In the field of graphics and caricature, he collaborated with institutions such as Sepehr, Amirkabir, Padideh, Atai, Ishraqi, Iqbal, and Zan-e Rooz, and... His cartoons were published on the art page of the Kayhan newspaper on Thursday nights.
Political themes, the precise and elaborate anatomical form, the combination of human and animal limbs, and the deformation of the body are all seen in his paintings.
[1] Aminullah Rezaei was also active in the field of painting criticism and designed and performed interviews with Khosrow Golsorkhi with prominent artists of the time.