Stoneware

It states: Stoneware, which, though dense, impermeable and hard enough to resist scratching by a steel point, differs from porcelain because it is more opaque, and normally only partially vitrified.

It is defined in the UK Pottery (Health and Welfare) Special Regulations of 1950 as: "Stoneware, the body of which consists of natural clay to which no flint or quartz or other form of free silica has been added.

"[11] Materials The compositions of stoneware bodies vary considerably, and include both prepared and 'as dug'; the former being by far the dominant type for studio and industry.

Stoneware clay is often accompanied by impurities such as iron or carbon, giving it a "dirty" look, and its plasticity can vary widely.

[23][24] In both medieval China and Japan, stoneware was very common, and several types became admired for their simple forms and subtle glaze effects.

Ding ware comes very close to porcelain, and even modern Western sources are notably divided as to how to describe it, although it is not translucent and the body often grey rather than white.

In China, fine pottery largely consisted of porcelain by the Ming dynasty, and stoneware was mostly restricted to utilitarian wares and those for the poor.

From a combination of philosophical and nationalist reasons, the primitive or folk art aesthetic qualities of many Japanese village traditions, originally mostly made by farmers in slack periods in the agricultural calendar, have retained considerable prestige.

Influential tea masters praised the rough, spontaneous, wabi-sabi, appearance of Japanese rural wares, mostly stoneware, over the perfection of Chinese-inspired porcelain made by highly skilled specialists.

[25] In contrast to Asia, stoneware could be produced in Europe only from the late Middle Ages, as European kilns were less efficient, and the right sorts of clay less common.

Medieval stoneware remained a much-exported speciality of Germany, especially along the Rhine, until the Renaissance or later, typically used for large jugs, jars and beer-mugs.

Significant amounts of modern, commercial tableware and kitchenware use stoneware, and it is common in craft and studio pottery.

Jian ware tea bowl with "hare's fur" glaze, southern Song dynasty , 12th century, Metropolitan Museum of Art (see below) [ 1 ]
Three contemporary stoneware mixing bowls
Telegraph insulator, 1840s-1850
American stoneware jug with Albany slip glaze on the top, c. 1900, Red Wing , Minnesota [ 12 ]
A Staffordshire pottery stoneware plate from the 1850s with white glaze and transfer printed design. Visually this hardly differs from earthenware or porcelain equivalents.
Chinese Yixing teapot , Qing dynasty, c. 1765–1835, with painted slip.
Wedgwood jasperware salt cellar with The Dancing Hours , 1780–1785
Gutter pipe. 1850-1875
Salt glazed jug by Doulton , England, 1875