Codex Ixtlilxochitl

[2] The first section, which comprises folios 94–104, is an artist's copy of an earlier calendrical documentation of revered deities and holidays that occurred at Texcoco's Great Teocalli, or ceremonial temple.

At the end of the 18 months is a 5-day period called the nemontemi, which were considered to be "unlucky" days separated from the rest of the calendar, during which many day-to-day activities were abstained from at the risk of attracting bad luck or misfortune.

[2] Consisting of folios 105–112, this section contains a compilation of illustrations intended to accompany Juan Bautista Pomar's 1577 manuscript Relación de Texcoco, a commissioned census made in response to the Relaciones geográficas questionnaire distributed to the colonies under the rule of King Philip II of Spain as a component of the reforms mandated by the 1573 Ordenanzas[18].

The questionnaires consisted of an elaborate collection of surveys sent to Spanish colonies intended to facilitate a deeper understanding of native culture, religion, and lifestyle practices to more effectively commission government systems.

In this section, the European influence on Native depictions of deities and rulers within codices is most evident; the figures are rendered with accurate proportions and realistic expressions, and care is taken with anatomical shading in order to create a lifelike image.

The artist depicts him with a menacing grimace, and utilized carefully applied gold leaf on his calf guards and arm bands to establish the illustration as especially regal.

Holding an obsidian-edged sword, or macuahuitl, and bearing a feathered shield and armor, one can imagine Nezahualcoyotl taking to the battlefield to avenge his father, successfully reclaim his throne, and eventually rebuild Texcoco to its former glory.

Shown also with gold-leaf arm and calf bands, a maxtlatl, or loincloth bearing the same pattern as the mantle, and feathered incense holders,[22] the image depicts Nezahualpilli in a way visually characteristic to his reputation of being a fair, peaceful ruler; alongside that, according to Aztec legends he had divinatory gifts and predicted the arrival of the conquistadors and subsequent fall of the Aztec Empire under Montezuma II's reign.

[2][24] Tlaloc, who had jurisdiction over agricultural fertility and crop outcomes, was one of the most significant and revered gods in Aztec religion and culture, and is depicted in this folio wearing his usual unique fanged mask and holding a lightning bolt in his right hand and a feathered shield in his left.

Texcoco (Tezcuco)
Cochineal dye depicted in the Codex Mendoza folio 43r
Viceroy Luis De Velasco
Facsimile from the Codex Magliabechiano
The Codex Tudela in the Museo de América
Bibliothèque nationale de France, Paris- currently houses the Codex Ixtlilxochitl
Cataloging stamps seen on the title page of the Codex Ixtlilxochitl
The depiction of the month Atlcahualo from the Aztec Codex Ixtlilxochitl
The month Tozoztontli from the Codex Ixtlilxochitl
Diagram of a complete Tonalpohualli from an unknown codex
Section 2, illustration 1; Ixtlilxochitl I
Section 2, illustration 2; Nezahualcoyotl in battle regalia
Recreated Macuahuitl made in 2019 by Jose Antonio Casanova Meneses
Section 2, illustration 3; Ixtlilxochitl I
Section 2, illustration 4; Nezahualpilli
Section 2, illustration 5; Tlaloc
Illustration 7 with annotations regarding the role of the Teocalli in the culture of Texcoco
Facsimile displaying an example of the Spanish script
Depiction of the "diaper" pattern from the Codex Tovar
Turquoise tiles inlaid onto the Mixtec Tezcatlipoca mask
Coatlicue (Snakes-in-her-skirt)
Annotated notes on the cloak of Nezahualpilli