Grendel's mother

[4] Some scholars have argued that the female characters in Beowulf fulfill certain established roles such as hostess (Wealhþeow and Hygd) and peace-weaver (Freawaru and Hildeburh).

Chance stated that, "this view of the structure as two-part has generally prevailed since its inception in J. R. R. Tolkien's Beowulf: The Monsters and the Critics.

[7] There is ongoing debate among medieval scholars concerning the ambiguity of certain words in Old English (related to Grendel's mother) which appear in the original Beowulf manuscript.

As her exact appearance is never directly described in Old English by the original Beowulf poet, part of the debate revolves around what is known, namely her descent from the biblical Cain (who was the first murderer, according to the Abrahamic religions).

One important focus of these articles and books concerns the numerous, and at times opposing, translations of especially the Old English compound "ides aglæcwif" (1259a).

Until the late 1970s, all scholarship on Grendel's mother and translations of the phrase "aglæc-wif" were influenced by the edition of noted Beowulf scholar Frederick Klaeber.

Beowulf, the champion of good, the 'monster' amongst men, challenges the traditional incarnation of evil, the Dragon: æglæca meets æglæcan.

Damico states: in both their benevolent and malevolent aspects, the valkyries are related to a generic group of half-mortal, half-supernatural beings called idisi in Old High German, ides in Old English, and dis in Old Norse, plural, disir.

Both groups are closely allied in aspect and function: they are armed, powerful, priestly [...] The Beowulf poet follows the tradition of depicting the valkyrie-figure as a deadly battle demon in his characterization of Grendel's Mother.

[35] Thus Kuhn suggested aglæca should be defined as "a fighter, valiant warrior, dangerous opponent, one who struggles fiercely".

[36] He supported his argument by also stating that "if there were one clear instance of áglæca referring to an unwarlike monster, a peaceful demon, or the like, this definition would fall apart.

"[37] Kuhn concluded that Grendel's mother was an 'aglæc-wif', 'a female warrior' [...] there is no more reason to introduce the idea of monstrosity or of misery here than there is in line 1519 where she is called merewif, defined simply as 'water-woman', 'woman of the mere'.

[36]Eric Stanley added to the debate by critiquing both Klaeber and Gillam: Grendel is described as an æglæca, a word which we do not understand.

"[40] Melinda Menzer offered a different approach,[41] suggesting that "aglæcwif denotes a woman, a human female, who is also aglæca".

An illustration of Grendel's mother by J. R. Skelton from Stories of Beowulf (1908) described as a "water-witch" trying to stab Beowulf
The first page of the Beowulf manuscript
A sculpture of a valkyrie on a horse by Stephan Sinding , 1908
The Gefion Fountain in Copenhagen, Denmark by Anders Bundgård, 1908
Freyja, in a painting by James Doyle Penrose , 1890