Perry, Nina Beveridge and Geoffrey Shea secured operational funding and premises to establish a separate, artist run organization called Toronto Community Videotex (TCV), incorporated in March of 1983.
[2][3] TCV's members created artworks which fell within the more systems-based notions of art production, rather than the beaux-arts[4] aesthetic of the museum.
[5] The name change to InterAccess in 1987 reflected a new focus on Macintosh graphics, multimedia production and a dial-up artists’ network (much like a Bulletin Board System, or BBS) known as Matrix.
"[8] In 2005, InterAccess moved to a renovated two-floor, three thousand square feet stand-alone building, allowing for more production space, a surround sound studio and a machine shop for constructing large-scale physical computing projects and installation.
[10] In May 2006, InterAccess received a Canada Council Media Arts Commissioning Grant for The Networked City, a series of five outdoor interactive installations on Yonge Street in Toronto.