Josephslegende

63, is a ballet in one act for the Ballets Russes based on the story of Joseph and Potiphar's wife, with a libretto by Hugo von Hofmannsthal and Harry von Kessler and music by Richard Strauss.

[1] Hugo von Hofmannsthal first proposed the Josephslegende to Strauss as a Zwischenarbeit (interim work) between Ariadne auf Naxos and Die Frau ohne Schatten.

Composition began in June 1912, but in a letter of 11 September Strauss confided that the work was not progressing as quickly as he expected: "The chaste Joseph himself isn't at all up my street, and if a thing bores me I find it difficult to set it to music.

"[2][3] Strauss drew on earlier sketches for his abandoned ballet Die Insel Kythere and wrote for an outsized orchestra with exotic instrumental colouring including four harps, large and small cymbals, four pairs of castanets, heckelphone, and a contrabass clarinet.

With Diaghilev as impresario, Nijinsky as choreographer and creator of the title role – replaced after his marriage and fall from grace by Fokine and Massine – costumes by Léon Bakst and Alexandre Benois, scenic design after Veronese by Josep Maria Sert, and Strauss conducting the premiere, the initial run lasted seven performances.