Kennerley Old Style

[2] Kennerley is a Venetian "old-style" serif design, with an organic structure loosely influenced by Italian and Dutch printing traditions of the Renaissance and early modern period and low stroke contrast giving a feeling of roundness and softness.

[3] It was named for New York publisher Mitchell Kennerley, who advanced Goudy money to complete the design.

He designed Kennerley out of dissatisfaction with the Caslon typefaces then in use in fine art printing; he felt these had an uneven colour on the page due to the thickness of the capital letters being much greater than that of the lower case.

[5] Goudy described the design late in life as very loosely based on the 'Fell Types', a set of type in the Dutch style collected by Bishop John Fell of Oxford for the Oxford University Press, although he conceded that "comparison of my type with the Fell letter will disclose little more than an identity of spirit" and Walter Tracy felt that he might have misremembered.

[6][3] It has also been compared in some details, notably the tilted understroke on the 'e', to the type of late 15th century Venetian printer Nicolas Jenson by Walter Tracy and others; American Type Founders' historian Henry Lewis Bullen somewhat cruelly described it as "a spoilt Jenson".