Mistress (lover)

[3] Historically the term "mistress" denoted a "kept woman", who was maintained in a comfortable, or even lavish, lifestyle by a wealthy man so that she would be available for his sexual pleasure.

In referring to those of higher social status, it meant the woman married to the owner, or renter, of the house, and was a term of deferential respect.

[6] The ballad "The Three Ravens" (published in 1611, but possibly older) extolls the loyal mistress of a slain knight, who buries her dead lover and then dies of the exertion, as she was in an advanced stage of pregnancy.

The mistresses of both Louis XV (especially Madame de Pompadour) and Charles II were often considered to exert great influence over their lovers, the relationships being open secrets.

[10] While the extremely wealthy might keep a mistress for life (as George II of Great Britain did with "Mrs Howard", even after they were no longer romantically linked), such was not the case for most kept women.

[13] In literature, D. H. Lawrence's 1928 novel Lady Chatterley's Lover portrays a situation where a woman becomes the mistress of her husband's gamekeeper.

[18] John Dryden, in Annus Mirabilis, suggested that the king's keeping of mistresses and production of bastards was a result of his abundance of generosity and spirit.

[20] With the Romantics of the early 19th century, the subject of "keeping" becomes more problematic, in that a non-marital sexual union can occasionally be celebrated as a woman's free choice and a noble alternative.

Mary Ann Evans (better known as George Eliot) defiantly lived "in sin" with a married man, partially as a sign of her independence of middle-class morality.

Domitila de Castro , long-term mistress of Emperor Pedro I of Brazil
William Hogarth 's A Harlot's Progress , plate 2, from 1731 showing Moll Hackabout as a mistress