Kristin Prevallet

Before dying of cancer at the age of 46, her mother fulfilled her vows to become a Sister of Loretto.

Since the early 1990s, she has been teaching writing and literature courses for a variety of universities and art institutions including Bard College's Writing and Thinking Workshop, Pratt Institute, Naropa University, Poet's House, and The Poetry Project.

Prevallet's poem "Lyric Infiltration" from her second book Scratch Sides: Poetry, Documentation and Image-Text Projects is analyzed by Redell Olson in “Reading and Writing Through Found Materials: From Modernism to Contemporary Practice.”[2] Olson writes, "The use of the term ‘cut-up’ places Prevallet’s procedural work in relation to the strategies of previous writers such as Tristan Tzara, Brion Gysin, and the Oulipo founder Raymond Queneau, and can also be related to the chance-based operational writing of John Cage and Jackson Mac Low.

"[2] Elizabeth Jane Burnett describes her 2004 performance of "Cruelty and Conquest" at Naropa University as "playing with audience response as a feminist poetry that explores the ways in which the body is transacted.

"[3] Her work has been published in numerous anthologies including The Body in Language (CounterPath Press, edited by Edwin Torres), I’ll Drown My Book: Conceptual Writing By Women (University of Iowa Press), Women Poets on Mentorship: Efforts & Affections (Edited by Arielle Greenburg and Rachel Zucker, University of Iowa Press), and Telling it Slant: Avant-garde Poetics of the 1990s (edited by Mark Wallace, University of Alabama Press).