Leopold Bloom

Joyce first started planning a piece in 1906 that he described as "deal[ing] with Mr. Hunter" to be included as the final story in Dubliners, which he later retitled "Ulysses" in a letter to his brother that year.

[1] The protagonist of the piece was apparently to be based on a Dubliner named Alfred H. Hunter, who, according to Joyce's biographer, Richard Ellmann, was rumored around town to have been from a Jewish background and to have an unfaithful, promiscuous wife.

The incident, if accurate, runs parallel to Bloom's rescue of Stephen Dedalus in the closing scene of the Circe episode of Ulysses.

[4][5][6] Svevo was the nom de plume of Hector (Ettore) Schmitz, who was one of Joyce's favorite students when he was a Berlitz English language tutor in Trieste.

As the day unfolds, Bloom's thoughts turn to the affair between Molly and her manager, Hugh 'Blazes' Boylan (obliquely, through, for instance, telltale ear worms), and, prompted by the funeral of his friend Paddy Dignam, the death of his child, Rudy.

The absence of a son may be what leads him to take a shine to Stephen, for whom he goes out of his way in the book's latter episodes, rescuing him from a brothel, walking him back to his own house, and even offering him a place there to study and work.

Bloom detests violence, and his relative indifference to Irish nationalism leads to disputes with some of his peers (most notably 'the Citizen' in the Cyclops chapter).

He argued that Joyce gave the initial impression of Bloom's ordinariness because of the parallel with Ulysses, whose "normal strategy was to withhold his identity".

[15] Others such as Joseph Campbell see him more as an Everyman figure, a world (cosmopolis) traveler who, like Homer's Odysseus "visited the dwellings of many people and considered their ways of thinking" (Odyssey 1.3).

In the 2001 stage musical and its 2005 film adaptation, after realizing his inner potential, Leo loudly asks "When's it gonna be Bloom's Day?"

[19] Former Pink Floyd bandmate Roger Waters references Leopold Bloom in his song "Flickering Flame" as sitting with Molly Malone.

Plaque in memory of Bloom in his (fictional) ancestral home, Szombathely
Zero Mostel in costume as Bloom for the play Ulysses in Nighttown (1958)