Whilst Richier did sometimes work in wood, he preferred the pale, soft limestone with its fine grain, and few veins, extracted at Saint Mihiel and Sorcy and when working in this medium he experimented with refined polishing techniques, with which he was able to give the stone a marble-like appearance.
[1] One of his finest works is the "Groupe de la Passion", consisting of 13 life-size figures made in the local stone of the Meuse region.
[4] Whilst little is known of Ligier Richier's personal life, it is recorded that in 1560, with the others living in Saint-Mihiel, he petitioned the Duke of Lorraine in order to practice in the reformed Protestant religion.
[5] Perhaps more than any other French artist of his period, Ligier Richier produced some notable works linked to the "Passion"; a mixture of calvaries, pietàs and "mise au tombeau" (a depiction of the entombment).
[8] He also produced a sculpture for the tomb of Philippa de Gueldres, the widow of Duke René II of Lorraine in Pont-à-Mousson where she died in 1547.