Three years later Milton Becerra presented at the Caracas Museum of Contemporary Art his work "Programmed Modules", where he expresses his concerns towards land intervention by photography.

Although these were, at the time, actions and interventions, these pieces later became Photographic Series, and constitute—beyond themselves—his first plastic and poetic approach to the vision of nature and earth as sacred, conducive to mystical experiences and filled with the cultural memory of silenced or vanished peoples.

Milton Becerra, concerned about the ecology, conducted at this stage works such as "A Blanket for the Meadow" in Caracas' residential area, Lomas de Prados del Este; and "Analysis of a Process in Time", in the El Valle parish, where he denounces the effects of pollution and deterioration of the landscape.

That is when his usual patterns and fabrics, impregnated with modernity, gave a twist that led to the development of his distinguishable Site-specific art, recognized anywhere in the world, from this artist born in Venezuela's Táchira state.

For that exhibition he focused on the Upper Orinoco River, the Amazon Federal Reserve, the Yanomamo territory, and he immersed himself into an experiment, as a fully anthropological workshop, developing the theme "Xawara Yanomami – XXI Century".