Prior to her arrival, the Konkani theater faced challenges in engaging Goan women performers, despite the efforts of directors such as João Agostinho Fernandes.

[2] On 6 October 1934, D'Souza made her debut performance in Saib Rocha's tiatr production titled Son of Jerusalem at the Princess Theatre Bhangwadi in Bombay.

D'Souza's 1934 debut, amidst these challenging circumstances, paved the way for Goan women to reclaim their place on the Konkani stage, as acknowledged by Cardozo.

D'Souza's debut in 1934 marked a significant milestone for the Konkani stage, as it witnessed the long-awaited return of Goan women to the theatrical scene.

Recognizing her talent, Saib Rocha promptly invited her to join the Union Jack Dramatic Company and cast her in lead roles for all their productions.

[3] Konkani historian and singer Wilson Mazarello writes, D'Souza's ability to evoke deep emotions was evident in her poignant performances, often moving audiences to tears.

Writer and actor Tomazinho Cardozo mourned her loss, recognizing her as a significant figure whose contributions opened doors for numerous Goan women to embrace the stage, despite the setbacks they faced.