These performers would meticulously transform themselves into women, employing elaborate costumes, makeup, and vocal techniques to convincingly portray female characters.

However, on 22 November 1904, a significant shift occurred when playwright Pai Tiatrist, described as a forward-thinking individual with a broad vision and deep respect for women's capabilities, introduced his young wife Fernandes to the stage.

Wilson Mazarello, a Konkani historian and singer, described Pai Tiatrist's decision as a courageous step, as it challenged the prevailing societal norms in Goa, where families generally disapproved of their sons' involvement in tiatrs, or theatrical performances.

[2] Her performance in this production captured the audience's attention, offering them a unique and immersive experience that had not been witnessed since the inception of Konkani tiatr in 1892.

Her historic achievement as the first female presence in tiatr paved the way for future generations, serving as an inspiring example for aspiring actresses.

It is important to note that Fernandes was only able to pursue her acting career due to her marriage to Pai Tiatrist, who wrote and directed the theatro Batcara.

His introduction of his wife Fernandes to the tiatr stage brought a fresh perspective and elevated the quality of Konkani performances compared to other theatrical productions of the time.

Their contributions were instrumental in the formation of the Dom Carlos Dramatic Unity, a Drama Company that ensured the continuation of their work.