Monastery of Panagia Molyvdoskepastos

[1] While the seat of the archbishop was indeed at Molyvdoskepastos (then known as Depalitsa or Dipalitsa), the diocese first appears in the Notitiae Episcopatuum during the reign of Andronikos III Palaiologos (r. 1328–1341).

Indicatively, in the 14th century a school for scribes was set up in which priest-teachers taught the art of transcription of manuscripts to monks and lay people.

Outside its walls, to the northwest, there was a large commercial center the so called, even today, Pazari area, which assisted the monastery’s finances.

In 1988 the monastery was manned once more by the present day brotherhood with the encouragement and guidance of the recently canonized Saint Paisios the Athonite and the blessings of the late Metropolitan Sebastianos.

The catholicon was painted once more in 1521-2 covering over parts of the original Byzantine frescoes by an iconographer who apparently wanted to remain anonymous as he characteristically signs “God knows whose all this labour was”.

In 1537, after extensive damage, possibly from an earthquake, architectural parts were added to the Naive (enlargement of arches, columns, etc) and it was decorated anew by Eustathios Iakovou, a protonotarios from Arta, whose signature appears on the hagiography of the historical chapel of the monastery of Mavriotissa in Kastoria.

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Panagia Molyvdoskepastos