The Late Mannerist painter and historian Giovanni Baglione considered Raffaellino's early death a significant loss to art.
According to his earliest biographer, Bonifacio Fantini, he was a builder's son who initially trained under Lelio Orsi in his studio in nearby Novellara, as well as with a medallist, Alfonso Ruspagiari.
[1] In 1575, he worked with Giovanni de' Vecchi at the Villa Farnese in Caprarola, painting in the Sala del Mappamondo (World Map) and the Camera degli Angeli.
He painted a Martyrdom of the four crowned saints for the Capella di San Silvestro in the church of Santi Quattro Coronati in Rome.
[2][4] The compositional felicities of his depictions of Tobias and the Angel and Diana and Acteon, two of his surviving oil paintings, suggest an ideal stylistic connection with Correggio.