Raffaellino da Reggio

The Late Mannerist painter and historian Giovanni Baglione considered Raffaellino's early death a significant loss to art.

According to his earliest biographer, Bonifacio Fantini, he was a builder's son who initially trained under Lelio Orsi in his studio in nearby Novellara, as well as with a medallist, Alfonso Ruspagiari.

[1] In 1575, he worked with Giovanni de' Vecchi at the Villa Farnese in Caprarola, painting in the Sala del Mappamondo (World Map) and the Camera degli Angeli.

He painted a Martyrdom of the four crowned saints for the Capella di San Silvestro in the church of Santi Quattro Coronati in Rome.

[2][4] The compositional felicities of his depictions of Tobias and the Angel and Diana and Acteon, two of his surviving oil paintings, suggest an ideal stylistic connection with Correggio.

Tobias and the Angel , (oil on panel, ca. 1575–1576) by Raffaellino da Reggio, in the Galleria Borghese , Rome