The album's production was handled by C-Sick, DJ L, FKi, London on da Track, Metro Boomin, Vinylz, Young Chop and more, with fellow Def Jam label-mates Jeremih and Logic were the featured artists.

[1] David Turner from Rolling Stone praised Durk for maintaining a delivery of dark ghetto lyrics over a mainstream budget, concluding that "He's nowhere near forgetting how hard times were for him, and remain for so many in his hometown.

"[9] Meaghan Garvey of Billboard praised the album for being able to "strike a graceful balance between gritty roots and big-budget sheen, recruiting underrated drill producers (DJ L, C-Sick) whose slick beats are highlights.

"[3] Kellan Miller of HipHopDX was mixed about the album, praising Durk's lyricism on self-reflecting tracks like "Resume" and "Don't Judge Me" but felt his personal life forced him to fabricate certain stories with gangsta rap clichés, saying that, "[T]he title's overt demand for permanent residency in the collective consumer's cerebral cortex ultimately amounts to Remember My Name's slightly-above mediocre status."

[7] Jill Hopkins of Consequence felt the album suffered an identity crisis when it went from hard-hitting hip-hop to soft-willowing R&B due to the use of Auto-Tune, concluding that "A record this anticipated by a man so young, with so much riding on it should sound more important.