The era is marked by profound technical advancements such as the printing press, linear perspective in drawing, patent law, double shell domes and bastion fortresses.
The technologies that developed in Europe during the second half of the 15th century were commonly associated by authorities of the time with a key theme in Renaissance thought: the rivalry of the Moderns and the Ancients.
By the start of the 16th century, printing presses are operating in over 200 cities in a dozen European countries, producing more than twenty million volumes.
The dawn of the Gutenberg Galaxy, the era of mass communication, is instrumental in fostering the gradual democratization of knowledge which sees for the first time modern media phenomena such as the press or bestsellers emerging.
[9] The prized incunables, which are testimony to the aesthetic taste and high proficient competence of Renaissance book printers, are one lasting legacy of the 15th century.
[12] The Venetian inventor Fausto Veranzio (1551–1617) modifies da Vinci's parachute sketch by keeping the square frame, but replacing the canopy with a bulging sail-like piece of cloth.
[21] By the mid-17th century it is estimated that political newspapers which enjoyed the widest popularity reach up to 250,000 readers in the Holy Roman Empire, around one quarter of the literate population.
In 1610 Mersenne spoke in detail of "sclopeti pneumatici constructio", and four years later Wilkins wrote enthusiastically of "that late ingenious invention the wind-gun" as being "almost equall to our powder-guns".
[30] The revived scientific spirit of the age can perhaps be best exemplified by the voluminous corpus of technical drawings which the artist-engineers left behind, reflecting the wide variety of interests the Renaissance homo universalis pursued.
The establishment of the laws of linear perspective by Brunelleschi gave his successors, such as Taccola, Francesco di Giorgio Martini and Leonardo da Vinci, a powerful instrument to depict mechanical devices for the first time in a realistic manner.
Renaissance engineers showed a strong proclivity to experimental study, drawing a variety of technical devices, many of which appeared for the first time in history on paper.
While earlier scholars showed a tendency to attribute inventions based on their first pictorial appearance to individual Renaissance engineers, modern scholarship is more prone to view the devices as products of a technical evolution which often went back to the Middle Ages.