Discussions of how to translate the Bible so that it could be understood by laymen but remain faithful to God's word became contentious, with people arguing how much license could be taken to impart the correct meaning without sacrificing its eloquence.
Another early proponent of literature in the vernacular was Roger Ascham, who was tutor to Princess Elizabeth during her teenage years, and is now often called the "father of English prose."
Typically, the works of these playwrights and poets circulated in manuscript form for some time before they were published, and above all the plays of English Renaissance theatre were the outstanding legacy of the period.
The works of this period are also affected by Henry VIII's declaration of independence from the Catholic Church and technological advances in sailing and cartography, which are reflected in the generally nonreligious themes and various shipwreck adventures of Shakespeare.
Elizabeth I herself was a product of Renaissance humanism trained by Roger Ascham, and wrote occasional poems such as "On Monsieur's Departure" at critical moments of her life.
The portraiture of Elizabeth I was carefully controlled and developed into an elaborate and wholly un-realist iconic style, that has succeeded in creating enduring images.
English Renaissance music kept in touch with continental developments far more than visual art, and managed to survive the Reformation relatively successfully, though William Byrd (c.1539/40 or 1543 – 1623) and other major figures were Catholic.
Despite some buildings in a partly Renaissance style from the reign of Henry VIII (1491–1547), notably Hampton Court Palace (begun in 1515), the vanished Nonsuch Palace, Sutton Place and Layer Marney Tower, and the building of Soulton Hall under Queen Mary I, it was not until dawning of Elizabethan architecture that a true Renaissance style became widespread, influenced far more by northern Europe than Italy.
Lesser, but still large, houses like Little Moreton Hall continued to be constructed and expanded in essentially medieval half-timbered styles until the late 16th century.