That was demonstrated some years later when Benz developed and patented a mechanically operated inlet valve process of their own but were unable to collect royalties on their system from British companies; the courts were persuaded that the system used by British auto-makers was based on the one pioneered by Percy, which had comfortably anticipated equivalent developments in Germany.
Soon afterwards, Stanley Riley founded yet another business, the Nero Engine Company, to produce his own 4-cylinder 10 hp (7.5 kW) car.
After Parry-Thomas was killed during a land speed record attempt in 1927, his close collaborator Reid Railton stepped in to finish the job.
Officially backed by Riley, the Brooklands, along with later developments and variations such as the 'Ulster' Imp, MPH, and Sprite, proved some of the most successful works and privateer racing cars of the late 1920s and early 1930s.
Rileys also distinguished themselves at the Ulster TT, at Brooklands itself, and at smaller events like hill climbs, while providing a platform for the success of motorsports' first women racing drivers such as Kay Petre, Dorothy Champney[4] and Joan Richmond.
For series production, the engine configuration was extended into a larger 12 horsepower '4', six-cylinder and even V8 versions, powering an increasingly confusing range of touring and sports cars.
The soundness and longevity of the engine design is illustrated by Mike Hawthorn's early racing success after WW2 in pre-war Rileys, in particular his father's Sprite.
Victor Riley had set up a new ultra-luxury concern, Autovia, to produce a V8 saloon and limousine to compete with Rolls-Royce.
It still exists today, producing marine and off-highway vehicle applications, as PRM Newage Limited based in Aldermans Green, Coventry.
The Riley brothers were more interested in a larger British concern, and looked to Triumph Motor Company, also of Coventry, as a natural fit.
[8] It was announced on 9 September 1938 that Lord Nuffield had bought the assets and goodwill of Riley Motors (Coventry) Limited from the receiver, and that on completion he would transfer ownership to Morris Motors Limited "on terms which will show very considerable financial advantage to the company, resulting in further consolidation of its financial position".
They incorporated a number of mechanical improvements – notably a Nuffield synchromesh gearbox – but were essentially interim models, and had less of a Riley character.
The new management responded to the concerns of the marque's loyal customers by re-introducing the Kestrel 2.5 litre Sports Saloon in updated form, but as the factory was turned over to wartime production, this was a short-lived development.
After the war, Riley installed the old engines in new models, based in concept on the 1936–38 'Continental', a fashionable 'notchback' design whose name had been changed prior to release to 'Close-Coupled Touring Saloon' owing to feared objections from Rolls-Royce.
Both engines, being derived from pre-war models, lent themselves as power units for specials and new specialist manufacturers,[13] such as Donald Healey.
The RM series, sold under the "Magnificent Motoring" slogan, became a re-affirmation of Riley values in both road behaviour and appearance.
'Torsionic' front independent suspension and steering design inspired by the Citroën Traction Avant provided precise handling.
Their flowing lines were particularly well-balanced, combining pre-war coachbuilt elegance with more modern features, such as headlamps faired into the front wings.
Aside from their small saloons, MG largely offered performance cars, especially with their open sportsters, while Riley sought to be both sporty and luxurious.
They shared their exteriors, but the Riley was marketed as the more performance-oriented option, having an uprated engine, twin SU carburettors, and a close-ratio gearbox.
With its good handling, compact, sports-saloon styling and well-appointed interior, the One-Point-Five quite successfully recaptured the character of the 1930s light saloons.
Overall, it could not provide the sharp and positive drive associated with previous Rileys, being based on the modest Austin Cambridge and Morris Oxford.
Sharing many features with the similarly upmarket MG Magnette Mark III and Wolseley 15/60, it was the most luxurious of the versions, which were all comfortable and spacious, and (nominally) styled by Farina.
[15] A BLMC press release was reported in The Times of 9 July 1969: "British Leyland will stop making Riley cars from today.
He stated that development of a new model was to begin immediately, with Rover engineering director Nick Stephenson in charge of the project.
[17] It was later revealed that BMW had developed a three-door concept car based on the Rover 75, named the Riley Coupe.
In September 2010, Autocar magazine reported that BMW was considering reviving the Riley brand as a variant of the redesigned MINI.
[21] This would most likely be a luxury version, inspired by the Elf of 1961–9, with a 'notchback' (booted) body, and the interior trimmed in wood and leather in the manner of earlier Rileys.
No sources were quoted, however, and in the absence of any statement from BMW reports of the possible resurrection of Riley must be regarded as highly speculative.