The painter, Exekias, made this work in Athens at the end of the Archaic Period, around 540-530 BCE.
It was suggested by Jeffrey Hurwit that the tree is an example of "pathetic fallacy,"[1] though this idea was strongly contested by John Madden.
[2] While Exekias' version of the Suicide of Ajax is particularly well known, other examples of this scene, by other vase painters, also survive.
These include a red-figure scene in a kylix (wine cup) attributed to the Brygos Painter (ca.
[4] Ajax believes that after the cattle incident, killing himself is the only way to keep his status as a hero and to avoid bringing shame to his noble father Telamon.
There are other representations of Ajax's suicide, including a Middle Protocorinthian aryballos, an Athenian ivory comb, and sixth century Corinthian vases.